27. Sid and Nancy

"But Sidney's more than a mere bass player. He's a fabulous disaster. He's a symbol, a metaphor, he embodies the dementia of a nihilistic generation. He's a fuckin' star."

Note: Until I get to the top ten...most of the films will seem a bit rushed, but this is to finish the project by the new year. I will mainly give details on the highlights, but will be happy to discuss the finer details of several films along the way. On with the show though...

Sid and Nancy is a difficult film to love. It is loud, chaotic, painful, and full of sorrow. It was as if director, Alex Cox, was attempting to make the least likable film possible, but it is from the above descriptions that we find a connection often missed by film: that of the human variety.

Sid Vicious (played by the always brilliant Gary Oldman), of the Sex Pistols, and Nancy Spungen offer a stark contrast to the lovers of generations past. It is their mistakes and descent into misery that one finds something truly human in their interactions. Of course, this is not an ideal situation, few would argue that, but this is a situation that seems far more real than those often portrayed in most love tales (not to knock any, as I have a special place in my heart for films like Love Actually and Bridget Jones's Diary).

What adds to the appeal of the film is the fact that I love music and its history. To say the least, the Sex Pistols have been rather important for the development of punk since their inception in the 1970s. To put it simply, this is the finest film about a music artist I've seen (although Control comes at a close second...if only for the fact that I like Joy Division quite a bit more).

Best musical moments of the year!

Top 30 albums of 2008:
1. Spiritualized- Songs in A & E
2. Los Campasinos!- Hold Now Youngster...
3. Portishead- Third
4. TV on the Radio- Dear Science
5. Fleet Foxes- Fleet Foxes
6. Bon Iver- For Emma, Forever Ago
7. Beck- Modern Guilt
8. Okkervil River- The Stand-Ins
9. Death Cab for Cutie- Narrow Stairs
10. The Roots- Rising Down
11. m83- Saturdays=Youth
12. Aimee Mann- @#%&*! Smilers
13. Bloc Party- Intimacy
14. No Age- Nouns
15. Lupe Fiasco- Lupe Fiasco's The Cool
16. Girl Talk- Feed the Animals
17. Jenny Lewis- Acid Tongue
18. Kanye West- 808s & Heartbreaks
19. Department of Eagles- In Ear Park
20. Coldplay- Viva la Vida
21. Islands- Arm's Way
22. Santogold- Santogold
23. Burial- Untrue
24. Nine Inch Nails- The Slip
25. The Raveonettes- Lust Lust Lust
26. Cat Power- Jukebox
27. My Morning Jacket- Evil Urges
28. Lil Wayne- Carter III
29. Flying Lotus- Los Angeles
30. Hot Chip- Made in the Dark

Best Concerts:
1. Radiohead
2. The Swell Season, Iron & Wine
3. Kanye West, Lupe Fiasco, Rhianna, N.E.R.D
4. Rilo Kiley, Sea Wolf

Mr. November

I would like to thank the American populace for voting for hope today. I am excited to see what the next four years have in store for our nation. Congratulations President Obama!

Blindness

This review will be brief; however, I do plan to expand on it at a later time. On to the film!

It should first be noted that I have a slight bias towards the director of this film, Fernando Meirelles, as he is responsible for both City of God and The Constant Gardener, but with this stated, Blindness is a fantastic film. Altohugh not related to my thoughts on the film, I must say the reviews it recieved are rather shocking, and feel that part of the reason for the spite comes from misconseptions about the film, and this will be brought about shortly.

Although marketed as simply another sci-fi thriller, the film is really a meditation on the nature of man. This is where the problem lies. The main critique on the film appears to be that the film's subject matter is simply to dark, which is difficult to argue with. In fact, if one were to borrow from Thomas Hobbes, the film would basically describe the basic life of man to be "nasty, brutish, and short." While this is all true, one must understand that this is an adaptation of a novel of the same title, by Jose Saramago, and this film only scratches the surface of what is depicted in the book. This is no complaint, as few would be willing to subject themselves to viewing a film like that.

However, as dark as this tunnel is, the film offers the same glimmer of hope, thus asserting the goodness of man. While natural instinct may make us animalistic, we have the ability to pursevere of these raw sates and keep our humanity. This is the true meaning of the film.

As a quick note, the acting and technical aspects of the film were rather well done, although not nearly as inspired by previous efforts by the directer and crew.

B+/A-

Lessons on How to Disappear Completely

So, I make it no secret to those that I know that I absolutely love the band Radiohead. To say the least I wear my heart on my sleeve when it comes to describing this band....and care rather little about the controversy the fell upon them for the several years when they decided to experiment with the sound that made them endearing to the masses. This sounds can best be seen in the song "Creep"...an anthem for all those that feel alienated and wish to be loved

With a basic introduction out of the way, let us get to the heart of the post: the opportunity to see my favorite living music artists live.* To sum up my experience in one simple phrase: it was religious.

With a a catalog as rich as theirs (seven albums, several solo projects, and plenty of B-Sides), to put together a set list must be particularly daunting. So, they said to hell with it and played the songs the enjoyed from their older albums (played all of their last album, In Rainbows), which made the experience all the better because they really appeared to enjoy themselves on stage. It also helps that they played mainly music from their later albums, like Kid A (my favorite album by the band) and Hail to the Thief.

However the moment of the show....hell of my musical life...came when they came on to play a heartbreaking rendition of my favorite song: "How to Disappear Completely." This is a song that already has the ability to break down the emotions of your humble narrator and to see it live was bittersweet. It is a song that will leave its listener feeling cold, empty, and alone; however, a sense of light seems to stay, thus creating a perfect emotional balance.

Overall the concert was perfect, or as close to it as it gets. I really did not think the band could reach the expectations that I had for it, but I was wrong. Oh...has it never felt so good to be so wrong.

*Favorite musical artist is Elliott Smith, but he is not with us anymore.

The Future: Or What Could Be...

So I have finally been given a sign on what I should actually do upon finishing up with this whole college thing. For so long, I have wondered what to do immediately after the dreaded walk up the stage; however, with one email...I know that there may be some resemblance of an idea. What I speak of is the Fullbright program.

In all honesty, I have received information regarding this program since my first year in college (odd considering one must, at the very least, be a senor to even apply), so the program has always been in the back of my head. Other programs that have had this "back burner" status are the "Teach for America" program and Greenpeace; however, neither really offered a an ideal situation (not the best wording, but will have to due for now).

With this program I will have the opportunity to travel to Southeast Asia (paid for by the government) and teach. It is almost too perfect, which means it may be to good to be true, but that is life for you. I guess I should just take a shot and see what happens, eh?

Now to be honest...I mainly write this entry for myself...as I feel as though by simply putting it into writing (albeit over the internet), I will be more determined to actually put the plan into action. So there we have it...a future unknown.

28. High Fidelity

Rob: "What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?"

The year is 2000. That number alone signifies a new beginning for many across the globe, as well as fears of the world coming to an end (sorry Y2k). So what does a film about a music obsessed, moody, apathetic, and (most importantly) nostalgic shop owner have to do with any of this? Quite a bit actually.

Although it was most likely not the intention of the director of the film, much less its stars, High Fidelity is the perfect film to be released in the year 2000, as it is a visual presentation of several of humankind's basic feelings: longing for the past, depression, and love. You see, it is the first of those that make this film so perfect, as it goes against the prevailing thought of society (unless you count those that are far too into "vintage"), yet still succeeds at presenting humans. No matter the person, we are all Rob. Everyone on this planet carries their doubts, regrets, and past pains with them, which is what Rob embodies. It is these things, as well as our hopes and dreams, that make a person complete. As simple a character as Rob is, he is the embodiment of what it is to be human.

Now, I admit that I may be taking it a bit far for this film, as most would describe it as a clever comedy with a tale that all could relate to. Or.....maybe it was the fact that the director, Stephen Frears, did an amazing job adapting a British novel for the united States, thus proving the universal quality of music.

I guess the simple reason for my love for this film....comes in my ability to connect to Rob. It could stem from his constant over-thinking or his love of music (some really great music humor throughout the film). Overall tis a fantastic film that all music lovers can enjoy.

Top Thirty Film (Take-Two)

once again according to the Other Karamazov

30. Blazing Saddles (1974)
29. The Machinist (2004)
28. High Fidelity (2000)
27. Sid & Nancy (1986)
26. Half Nelson (2006)
25. 12 Angry Men (1957)
24. The Night of the Hunter (1955)
23. Chungking Express (1994)
22. Children of Men (2006)
21. Schindler's List (1993)
20. There Will Be Blood (2007)
19. Night of the Living Dead (1968)
18. Dancer in the Dark (2000)
17. 2001: A Space Odyssey (1968)
16. Raiders of the Lost Ark (1981)
15. Memento (2000)
14. Chinatown (1974)
13. The Graduate (1967)
12. Brazil (1985)
11.The Seventh Continent (1989)
10. Grave of the Fireflies (1988)
9. Magnolia (1999)
8. Blade Runner (1982)
7. The Thin Red Line (1998)
6. Network (1976)
5. Toy Story (1995)
4. In the Mood for Love (2001)/ 2046* (2005)
3. City of God (2002)
2. Mulholland Dr. (2001)
1. Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (1964)

I promise not to see this through to the end and that this is my final list. Expect to see High Fidelity tomorrow.

A note from our sponsor

First a note on this misconceived project: I have decided to finish the project, but feel as though it is incorrect. Upon further reflection, I realized there were many films that I would have liked to place on the list or moved up/down the list; however, once the project began...it became impossible to "control z," which simply made it more difficult to update, as it felt like a lie.

So some notable omissions: Schindler's List, Do the Right Thing, Brick, The Elephant Man, Sid & Nancy, Psycho (1960), Half Nelson, and It's A Wonderful Life.

Movies I would leave out: Citizen Kane (gasp!), 8 1/2 (odd considering its placement, but upon more reflection on the film, I really need to review the film again, to warrant its placement), and the Third Man (an amazing film, that really only made it on the list for the most beautiful closing shot I've seen; however, the opening quarter really drags the film off the list).

So how shall we fix this....a new list of course. Alright, so the only two I wrote about stay where they are and the new list will be up shortly. See, this is why you do not compile a list in a hurry or with care of trying to have classics represented.

Regret

"I loved her so. And she knew what I did. She knew all the fucking stupid things I'd done. But the love... was stronger than anything you can think of. The goddamn regret. The goddamn regret! Oh, and I'll die. Now I'll die, and I'll tell you what... the biggest regret of my life... I let my love go. What did I do? I'm sixty-five years old. And I'm ashamed. A million years ago... the fucking regret and guilt, these things, don't ever let anyone ever say to you you shouldn't regret anything. Don't do that. Don't! You regret what you fucking want! Use that. Use that. Use that regret for anything, any way you want. You can use it, OK? Oh, God. This is a long way to go with no punch. A little moral story, I say... Love. Love. Love. This fucking life... oh, it's so fucking hard. So long. Life ain't short, it's long. It's long, goddamn it. Goddamn. What did I do? What did I do? What did I do? What did I do? Phil. Phil, help me. What did I do?"

-Magnolia

No, this is not a movie review, but an introspective piece into my psyche. The above quote is a tad over dramatic, but it sets the tone rather well.

So over the past several days, weeks, and months....the topic of regret has been brought up quite a bit with regards to many of the choices I've made throughout my life. I'll be frank....I do have regrets and I do believe it to be healthy to have them (show me one person without a regret and I will show you a liar). Honestly, I believe it to be our regrets that truly make us human. I mean this not only in the sense of species classification, but also in our ability to express things like emotions (something I still need to work on) or empathy.

Like everyone else I regret not telling that one person I love them (still haunts me), not trying hard on that (fill in with random assignment or class), or not letting my mind go wild with the possibilities with a different future. These are all rather common, so let us not get into them (not tossing them aside as unimportant, but as they are not a part of the crux of this post, we can save them for latter).

There is one thing I will not regret and that is sticking by what I believe to be right. Even if I lack the support by all those around me...I feel as though it would betray my essence to shamelessly give up on what I believe. If I were to do this (which I have)....the simple act of looking at myself would be unbearable. I cannot do this again, even though the current cost is very dear to me. This is not a battle between good and evil or love and hate, but a battle of futility. No matter the outcome of this conflict, everyone loses and there is very little chance that a recovery can occur.

So this is the path I choose, one of pain and strife. It will end badly, but hell....so do many things in life. I now enter the abyss with little to guide me, but let's hope that at the end of the day (and for the remainder of my days), I can still cal myself Damien. With that said, let us part on a fitting end:

"No. Not even in the face of Armageddon. Never compromise."

-Watchmen

29. The Machinist

Trevor Reznik: Right now I wanna sleep. I just want to sleep.

When asked to describe the Machinist, I often hesitate with my response. To be rather honest, the film seems to drift between genres with little to know regard to how it effect the audience...which makes it rather difficult to categorize. Also, I feel it would be a disservice to the complex and moving story found in this film....to simply give it a several line summary. I guess one could say that this is a film that demands one's attention from the opening shot to the final line.

Of course, what can be said is the obvious, which is the massive amount of weight loss that Christian Bale went through in order to make this film. Although difficult to watch (especially the opening shots), the weight loss put on by Bale is only their to accentuate the brilliant performance given by Bale as an insomniac that is plagued by what appears to be living dreams. One final note on the on the acting, is that the performance offered up by Aitana Sánchez Gijón, as the single mother, Maria, is heartbreaking.

The cinematography of the film is perfect for the subject matter, as it lulls its audience into a false sense of security, with its dream like pans and dark contrasts. To be rather honest, dream is the wrong term to use, as the film appears to be more of a nightmare, suffered by a deeply disturbed man.

Overall this film is a perfect example of how a modern horror/mystery/drama should be done: with respect to the intelligence of the viewing audience and one that continues to haunt you long after the credits have finished.

30. Blazing Saddles

Mongo: "Mongo only pawn... in game of life."

How does one begin to dissect and discuss a film that is of the comedic level of Blazing Saddles? To be quite honest, there is no real prescribed method to perform this task (made all the more difficult by films in this genre in particular), I will simply describe what makes this film so perfect: its complete and total lack of care towards film conventions (this will be a common theme on this list).

Of course, this is nothing new for Mel Brooks and his plethora of comic masterpieces (Young Frankenstein, The Producers, The History of World Part I, etc...); however, it is this film where his brand of irreverent and playful humor is perfected. Brooks's utter disregard towards film dogma (such as racism, sex, and violence) and signature wit make this film rather endearing....even in an age where comedies are plentiful (many of which never matching the sheer genius of this film).

Also, to only lay accolade on Brooks would be a grave error, as much acclaim should be poured onto the entire cast of the film. From the always brilliant Gene Wilder, as the washed up Waco Kid (or Jim as he is called), to Cleavon Little, as Sheriff Bart, the ensemble connects in such a way that make the humor displayed on screen all the better. This can be seen in everything from Mongo's face upon receiving his telegram to Lili Von Shtupp's somewhat glazed over and exhausted appearance in her song 'I'm so Tired."

Lastly, how could anyone fault a film with an ending that is so ridiculous that it actually outmatches the insanity found throughout the film?

Note: Blogger is not cooperating with me currently, so the article must be italicized. Damn you Blogger.

The Top Thirty Films of All Time

According to the Other Karamazov

30. Blazing Saddles (1974)
29. The Machinist (2004)
28. Chungking Express (1994)
27. Citizen Kane (1941)
26. High Fidelity (2000)
25. Children of Men (2006)
24. The Night of the Hunter (1955)
23. Network (1976)
22. Brazil (1985)
21. The Third Man (1949)
20. There Will Be Blood (2007)
19. Night of the Living Dead (1968)
18. Dancer in the Dark (2000)
17. 2001: A Space Odyssey (1968)
16. Raiders of the Lost Ark (1981)
15. Memento (2000)
14. Chinatown (1974)
13. The Graduate (1967)
12. Grave of the Fireflies (1988)
11. The Seventh Continent (1989)
10. Magnolia (1999)
9. Blade Runner (1982)
8. The Thin Red Line (1998)
7. 8 1/2 (1963)
6. 12 Angry Men (1957)
5. Toy Story (1995)
4. In the Mood for Love (2001)/ 2046* (2005)
3. City of God (2002)
2. Mulholland Dr. (2001)
1. Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (1964)

*I feel that 2046 is more of a continuation than its own entity. I did enjoy 2046 more though, but will discuss both as a whole.

Alright let the games begin.

I am terrible

Alright...this is a quick one to explain what I have planned for this blog.

First...I proclaim myself the worst blogger on Earth; however, I hope to redeem myself by making a list blog of sorts. The plan goes as follows:

1. Mark down my top thirty film list
2. Go through each film and explain why it makes the list
3. Ummm...that's actually it.

Alright on to the big show!

Note: This will take several days. Most likely I'll do one film a day, but may do two if time permits.

Musica!

So, as promised this is dedicated to the wonderful thing, commonly known as music. To begin, this has already been a damn good year for music, as we have seen some powerful releases from both new and old alike. Blog favorites (Vampire Weekend) and hit makers (Lupe Fiasco) have come together in popular form and brought together vast amounts of fans. However, the finest album to be released, by far is from a relativly young and new band from England: Los Campesinos! (yes the exclamation point is a part of the name).

The best way to describe this band is with the following words: loud, fast, beautiful, chaotic, sweet, tragic, and heartfelt. Every song on the album comes at the listener at a machine gun-like speed, firing off random (yet strategic) pop culture references. Although this would on first listen sound rather pretentious (Lyrics include references to binary code, the dewy decimal system, Jane Eyre, and the ATP music festival), the lyrics match the subject matter perfectly. For example the lyric "And when our eyes meet, all I can read, is you're the B-side," expresses a pain that anyone can relate to.

Simply put, this is a beautiful album and one that will be difficult for even bands to top. What makes the music is the fact that one can tell that these musicians truly love what it is they do. Hell, it helps that they sound like Broken Social Scene's kid sibling (happen to be on same label).

To sum it up: Buy this album now!

The Seventh Continent

Review:
For the majority of the films reviewed on this blog, I've tended to shy away from older features or films that there is little to say about (Vantage Point would be a solid example of the later point), so this week's entry (as it appears I am only able to update this on weekly basis so far) will go against the mold. Mind you this is still only a film review (music shall be next); however, the review for this film will make for a nice companion piece to the my last review. Also this film will be in two parts: review and discussion.

Now, the reasoning behind this thought process does not simply begin and end with the fact that both films share the same director, Michael Haneke, nor at the odd camera work presented in both films. The reason this review is placed as a companion to the last is because of the emotional response felt by the viewers at the rather stark imagery presented before them. Of course, one could say that because both share a similar director themes and emotions seem to carry over with each feature; however, one could simply point to the vast and diverse works of directors like Spielberg or even the small one's of people like Gus Van Saint, to see that directors constantly reinvent themselves. With this out of the way, let us move on to the review.

The plot of the film is difficult to describe; however, to describe it I shall try. We begin the film in a simple household, with a seemingly ordinary family. The characters (Georg, Anna, Eva) all live rather ordinary lives without much occurrence...at least it appears that way at first glance. With every exchange, glance, or simple visit we see that the characters of the film oddly out of place in the world. Basically the film follows the lives of these individuals, and without giving away the end (something difficult to do in this review) for several years and takes careful notation of mainly what many would consider rather mundane tasks. However, it should be noted that the last thirty minutes of the film are terrifying and unnerving, but not in the way many (including myself) are accustomed to in film (ex: the brutal attack on a hero by the monster or the evil force succeeding at the end of a film).

The camera work in the film is odd, as it focuses mainly on the objects that the characters interact with. In fact, the audience sees very little of the family; however, in the few scenes we do see with them fully in frame..we are astonished by not only the character's beautiful display of emotional range, but also by the entirety of the environment, which is (for most of the film) only a house. Like his other works, Haneke seems to choose one scene that will stick out in the mind's of his viewers...one that is usually repulsive, terrifying....and yet very human.

The performances are all breathtaking and soul wrenching; however, of all the performances, Birgit Doll, as the mother Anna, demonstrates a sense of humanity not often seen in film. What makes it all the more amazing is how just these three actors are able to carry the film for its entire running-time, without the audience losing interest. This is because we can connect to these characters (maybe not the end) because they do not live extraordinary lives like Wolverine, Indiana Jones, or Luke Sky Walker, but normal lives like you and I.

To conclude.....I admit that in writing this review I have failed in part because it is rather incomplete. By simply judging the technical aspects of the film and not discussing the thematic reasoning and meaning behind much of the film's perplexities, I have left out everything that would make this review whole and why, since viewing the film this past Friday, it has become a far better film. One must understand that many aspects of the film (technical, thematic, plot) are difficult to talk about on an individual basis as they all tie so closely together. Overall it was fantastic, yet unsettling. (stop here and skip to bottom for grade if you do not want the film spoiled)

Discussion:
So...I couldn't just sit there with a half complete review....so here is the second part of it: the discussion of the film. Mind you, this will be rather heavy on spoilers, as this is more of an aid to understanding the film (more for myself than anyone else...as putting it in writing will greatly aid).

It should be noted that the great bulk of this discussion will center around the final forty minutes of the film and what it means in the context of the film. However, before getting there, let us briefly sum up the plot to add points of reference in the discussion

As stated in the review, the film centers around this family that feels rather uncomfortable in modern society. None of the characters seem to enjoy the lives they live, but what they do enjoy is the life they share with one another. Also, as stated the film records mainly mundane details of each person's life and for good reason. It is in these little, yet precise details that we see the foreshadowing of things to come at the film's closing minutes. As routines are forgotten, people forget to feed the fish, dishes are left dirty, silence tends to fill the room...and we realize that this is leading to a rather dismal finish. In the final third of the film, the characters explain to relatives they are "planning"a trip to Australia (i.e. the The Seventh Continent), but in reality are only planning to destroy themselves.What we are forced to witness for the following forty minutes is the family systematically destroy everything they own (and I mean every little thing) and, at the end, themselves.

Now one may ask what the purpose of this relentless destruction is and to that I point towards the cinematography throughout the film. Because we never see the characters truly interact with the world, we only know these characters through their objects. We know what they want, love, do, and how they live through these objects (Georg is a professional because he has a lot of files, are fairly well-off with their money, and eat pretty well. The characters are not destroying these objects for themselves, but for the audience.

In destroying the objects, the characters are killing themselves in the eyes of the audience, which explains for the pain felt by the audience as Eva (the daughter) tears up her pictures or Anna (the mother) breaks her records. By the time the family extinguishes their own life, we are already left empty and hollow by the prior scenes that any more is simply there to complete the story. This is not to say that the final shot of Georg or the "family photo" like image of them laying together is any less disturbing for the viewer, but this helps explain just why the destruction is so thorough in the previous scenes.

So there is the complete review of this fantastic film. It will haunt you and leave hollow, but this only goes to show that even in his first feature, Michael Haneke is a modern master in cinema.

Grade: A

Funny Games

So while on a trip to New York I happened upon on this film (I have been wanting to see it, but it was never playing in a theater near myself), although I really do not know if film is the appropriate title for what I saw fore according to most the purpose of film is to entertain. It appears many felt the same as by the end of the film, many had left the theater, yet this is for later discussion.

However, first let us get to the basics. The film is of course entitled Funny Games and is directed by Michael Haneke (Cache...one of my favorite films of the past several years). It should be noted that while this film is in fact a remake of a foreign film (see every horror flick out right now), there are several things that set it apart from your average remake. First, it is the original director at the helm of this work and, secondly, it is essentially a shot for shot remake, with the only updates stemming from updating some of the technology used in the film (the original was made in 1997). Also, to get this out of the way...I shall try to avoid spoiling the film and will avoid major plot points; however, I will note most technical aspects of the film, which may border on spoiling the film (not the plot).

Let us begin with the technical aspects of the film. The editing is fantastic, as the film gives the sense that the actions happening on screen are occurring in the real time, thus further enveloping the audience by offering a sense of reality. The sparse use of music (aside from the occasional heavy-death-freakout-metal) aids in building the already unbearable tension, as it music can often be used to allow the viewer the chance to escape from the actions taking place on screen. By using very little music, the audience is forced to focus solely on the characters and their actions, thus further entrapping the viewer in this rather terrifying affair.

The cinematography (one of my favorite aspects of film in general) is quite fantastic (as well as inventive) in the film. As in Cache, Haneke uses long and distant shots to display his film, which truly allows the actors the chance to interact with their environments and perform at their best. Also noteworthy, is how the film is rather inventive with its shots. For large portions of the film the camera will focus not on characters, but on the scenery or random objects, which within the context of this film, allows the viewer a glimpse it to just what is cherished by the family involved: the simple and easy life. When juxtaposing the content of the film with a camera style often found in sweeping period pieces (see Atonement), one finds a rather odd conundrum, which can easily be explained simply. This camera style shows us that while war and peace have a place in every person's mind, the horrors found in one's personal life, in the home no less, can often prove to be far more engaging and easy to connect with. *Spoiler*One last note that should be made on the camera work in the film is that while this film is rather grisly and terrifying, very little of the violence is actually presented to the audience. All we are allowed to see is the aftermath for the most part, leaving the audience only their imagination to use. *End Spoiler*

The performances in the film are astounding. Naomi Watts (per usual) gives an amazing performance as Ann; however, I believe that it is Tim Roth (playing George) that truly gets the audience emotionally involved with the family. Every time we are forced to look at the pain and anguish on his face, we are reminded of personal anguish suffered in the past, thus causing the audience to become more invested in the action taking place on screen. Also, it should be noted that Michael Pitt, who plays Paul (the leader of the two torturers), plays one of the more chilling characters to grace the silver screen (yes...beating out Chirrguh from No Country for Old Men).

I guess I should make a small note on the plot of the film. The plot centers around a rather wealthy family being held hostage by two teenagers. Those are the basics and it is rather linear and simple, which, upon further reflection, is rather uncommon in film today. Most films feel the need to make an overly complicated story in order to grab the audience; however, this film does just as well (if not better) with a rather straight forward plot.

So, with the technical aspects fully explored (and remarked upon in a rather positive manner), we can now look at just what makes this film so difficult to rate...much less recommend. One can skip the next two paragraphs to avoid spoiling the film; however, it is safe after that.

One must understand that when going into this film, one should not expect any sort of lightness. From the opening shot to the last several seconds, one is immediately confronted with the fact that this film will only contain fear, pain, anguish, and darkness. There is no hero that saves the day, much less allow the audience feel any sort of retribution from the actions that they have just witnessed. What is worse, is that by breaking the forth wall (uncommon for most media), the audience becomes implicit in the actions taking place on screen, thus forcing part of the blame of the family's pain on the audience. If we were not there watching the film...the characters in the film would be fine and by simply watching the film we are, in a way, supporting the actions performed to the family. As the tagline of the film states "You must admit, you brought this on yourself."

Also implicit in this statement is the fact that we can choose to leave should we feel it to be too much or exploitive. As demonstrated by my fellow movie goers this past Monday, we are really the ones in control, so, in a way, in order for the film to have a happy ending one must leave the theater and imagine one for them self. Even the director admits this as he has stated in previous interviews, "I always say, those who watch the film to the end apparently needed it. Those who leave earlier apparently didn't."

Which brings up the why labeling the film, much less recommending the film is so difficult. This was not a film made to for one to enjoy and be entertained by, but to be inspired to think about violence and how it is often glorified in most media outlets. Also, due to its subject matter and lack of any light it is difficult to simply say to someone: "Hey Funny Games was a great movie and you should watch it!" When the viewer is left feeling hollow at the close of the film one wonders if they should have seen Horton Hears a Who instead; however, that is not an attack on the film. Many films (The Elephant Man, Grave of the Fireflies, City of God) leave the audience in a similar state and are often remembered if only for that reason. Before entering this film, one needs to look at what they feel the purpose of film is, whether it is simply to entertain or to challenge our very beliefs. Of course a film can do both (see City of God), but this film certainly is not one that can.

At the end of the day though...I feel that is a film can make a person feel anything (aside from revulsion like in the case of Date Movie or Norbit) and cause an intelligent discussion, it was worth the experience. Hmm...there we go, the perfect way to describe the film: an experience.

A-

Gone Baby Gone

This will post will be a review and discussion of sorts on the film Gone Baby Gone, directed by Ben Affleck and staring Casey Affleck. I will admit it.....upon first hearing about this movie last fall, I wrote it off simply due to Affleck's name being attached to the film; however, as it garnered more and more positive reviews (from many of my favorite film sites and critics) I decided to give the movie a shot. Alas....as luck (and timing) would have it, I never did have a chance to see the film in theaters, but thanks to DVD, here it is before me....one of the finest films to come out this past year.

Let us first begin with the story itself (there are minor spoilers, so tread softly). The tale is simple enough: a girl is kidnapped and Casey Affleck's character is hired, by the family to find the daughter of coke addicted mother, played fantastically by Amy Ryan. The tale appears relatively straightforward throughout; however, takes an abrupt hit in the middle. What was once a simple crime film with powerful performances becomes a drama worthy of mention beside the likes of Chinatown and LA Confidential. The film does not try to perform a Shymalan on the audience as the twist is not too far fetched and the details leading up to it make sense. In fact, one could say that part of the film's brilliance is in the fact that it lays the clues right in front of you, but the audience chooses to ignore the hints, not out of ignorance or apathy, but out of hope. From start to finish the film's tale is unrelenting with its rather morose view on the human conscious, that what should be black and white...becomes gray. (Hmm...actually that was spoiler free...never mind).

Every actor in this film instilling the in the audience the belief that they are justified in their actions. Whether it is Casey Affleck's and Ed Harris's rather black and white view on society and how one should behave or Michelle Monaghan's rather "pending the scnerio" ideology....all the characters are presented as being correct in their choices throughout the film. Interestingly, and this is most likely caused by wonderful acting and a well written script, the film makes it impossible for the audience to pass judgment on any of the characters, much less dislike any of those involved...making the film's final twenty minutes all the more unsettling.
The overall presentation throughout the film matches the somber tone of the tale. Ben Affleck does not resort to using any cheap techniques to pull at the heartstrings of his audience (ex: the little girl in Crash) nor does he use a spastic style of cinematography style found in many modern crime films (ex: The Departed). He simply allows the tale to prove to the audience that it is well worth their emotional investment.

It should be noted that while the performances are fantastic (Amy Ryan and Casey Affleck in particular), the real star of this film is the idea of moral ambiguity. There is little black and white in the film (one must watch the film completely to understand this, as it appears to contradict a previous statement), which leaves the viewer unsure not only of the choices made by those on screen, but of those made by society.

Overall it was a fantastic film that should be seen.

B+

Oscars 2008

So it is that time of year again, when some of the finest films to have come out in the industry are honored by the academy. As you can probably guess, the subject matter of this post will revolve around just whom I believe will take home the statues this year. It should be noted that unlike like past ceremonies....many of the nominated films are really deserving of the award (no Crash or The Departed incident this year)...although the fact that Norbit was even mentioned....makes me a little ill. So without further delay....my picks for the Oscars this year.

*Note: this will go from least to most important, with explanations to follow the more important awards...as well as a distinction between what I believe will win and what I want to win (unless they are the one in the same). I will also skip categories where it would simply be a guess with no real founding.

Visual Effects
Should Win: Pirates of the Caribbean
Will Win: Pirates of the Caribbean
Not a fan of any of the films to be honest (all felt rather mechanical and lacking of heart), but at the very least the effects in Pirates did not feel overbearing and tiresome throughout the film. Unlike the other two, the effects in Pirates felt balanced and well used.

Sound Mixing
Should Win: No Country For Old Men
Will Win: No Country For Old Men
One should get used to hearing this movie throughout the night, as it will be the big winner..but on to this specific award. The sound editing in this film was perfect for each scene and very much was the reason for causing the great amount of tension throughout the film. It was subtle, yet terrifying....just what more can one ask for?

Makeup
Should Win: Pirates of the Caribbean
Will Win: Pirates of the Caribbean
Once again, I did not like the film, but it still did look rather beautiful.

Music Song
Should Win: "Falling Slowly" from Once
Will Win: "Falling Slowly" from Once
This one will be fairly easy, as in all likely hood the three nominations for Enchanted will most likely null its competition. However, even if it were not the case...the presentation and actual song are more than worthy of taking home the prize.

Music (Score)
Should (have been nominated) Win: There Will Be Blood
Will Win: Atonement
Alright...this was one of the larger snubs for this ceremony. The score for the film was perfect for it and the finest I've heard in a film, but cannot do anything about it. The score in Atonement is pretty fantastic, as well...so there is some consolation I guess.

Film Editing
Should Win: There Will Be Blood or No Country for Old Men
Will Win: No Country for Old Men
A difficult category...as both are more than deserving of the award. At the end of the day it really depends on personal opinion, but I feel that it will go to No Country by default.

Cinematography
Should Win: Atonement
Will Win: Atonement
All the nominated films do a fantastic job in this category and I wish each could simply share the award, but Atonement was just that much better. this award was won with the beautiful shot at Dunkirk.

Animated Feature
Should Win: Ratatouille
Will Win: Ratatouille
When there are high profile critics saying this should have been nominated for best picture, much less best animated....that's saying a lot.

Actor in a Supporting Role
Should Win: Javier Bardem
Will Win: Javier Bardem
No contest. He has won every award up until this point and really deserves all then attention he is receiving. He simply played one of the finest characters to be on screen in recent memory.

Actress in a Supporting Role
Should Win: Cate Blanchett
Will Win: Cate Blanchett
A difficult category with many possibilities, as all (aside from Ronan) have been recognized in previous award ceremonies. It is considered by many to be the most difficult category to determine, but due to the fact that Blanchett did a phenomenal job as one of America's living icons...I believe there will be an award for her.

Actress in a Leading Role
Should Win: Ellen Page
Will Win: Julie Christie
I would love to see Page win this if only because her character could have come off as annoying and snobbish in Juno; however, instead, it was heartfelt and endearing. I say Christie will win because she has received quite a bit of preshow attention in prior award ceremonies.

Actor in a Lead Role
Should Win: Daniel Day-Lewis
Will Win: Daniel Day-Lewis
he has won every show prior to this and clearly deserves this for his volcanic, cosmic, terrifying, etc (cannot really describe in words) presentation of Daniel Plainview. He left me shaken after the film and justly deserves the award.

Best Adapted Screenplay
Should Win: No Country for Old Men
Will Win: No Country for Old Men
As, much as I loved There Will Be Blood....it was a rather poor adaptation of Oil! (not a bad thing as it has become one of my favorite films). The Coens Brothers have done a job marvelous making an already amazing read into a breathtaking film. The fact that I was still sitting at the edge of my seat, even after reading the source material, shows how fine of a job they did with this film.

Best Original Screenplay
Should Win: Juno
Will Win: Juno
I sadly only saw two of these films (the others are on my to watch list), but I feel that this is where Juno will get rewarded...similar to Little Miss Sunshine last year (a really awesome consolation prize if you ask me).

Director
Should Win: Paul Thomas Anderson (There Will Be Blood)
Will Win: The Coen Brothers (No Country for Old Men)
Both (all for that matter) are fantastic films, but at the end of the day this seems to be destined with all the preshow buzz. Personally, I would love to see PTA win the award, but I feel that the film may have been a bit polarizing, which would lead some to blame the direction. The Coen Brothers have this award in the bag.

Best Picture
Should Win: There Will Be Blood
Will Win: No Country for Old Men
First...I want TWBB to win, but I do not believe it has a chance. I feel that TWBB is the finest American film to ahve come out since Mulholland Dr. (my #2 favorite film of all time)...but it is destined not to win for many reasons (did not make much money, very polarizing, very long and drawn out). This is not to say No Country does not deserve it, but it just did not have the lasting appeal of TWBB. I will not feel bad if No Country wins. The only other scenario I can see playing out is Juno or Atonement taking home the award because of "split vote" syndrome...and I would be very sad to see this happen, but in all honesty I cannot think of any reason why it should. No Country seems to be a universally loved (barring the controversial ending) film by both critics and the general populace. It has made a fair amount of revenue and has the finest cast in any film to come out in many years. In all it will be No Country for Old Men that takes home the best picture award on Oscar night.

So.....those are my predictions for the Oscars....none of which are to controversial, mainly due to the high caliber of nominated films tis year. Kudos to you academy; however, let me not a few snubs:

Zodiac (should have been nominated in all of the major categories, but came out to early in the year....sadly), Before the Devil knows You're Dead (director, supporting actor, actor-Hoffman), Rescue Dawn (actor-Bale), The Simpsons Movie (animation), There Will Be Blood (score!!!!, actor in supporting role- Dano), Sunshine (visual effects, sound editing), Enchanted (acting-Adams), Paprika (animation)

Valentine's Day: Or How I Learned to Stop Loathing and Love the Day

So my first post will involve a holiday that for many is quite controversial, especially when one is left without another to share the supposedly "Hallmark Holiday" with (this includes myself). So although several days to late here are my thoughts on the holiday....as I would rather express my opinion now rather than have to wait another year.
From my observations there appears to be three types of people when it comes to the holiday: the enthusiasts, the neutral, and those that hate the holiday with their heart. I must admit that up until a few days prior to this past holiday, I was a firm member of the last category; however, for some odd reason...I switched to the enthusiast side of the force.
I began to realize that although the holiday is cheesy to a degree and does in fact make love into a commodity (but everything else already does, so that is not really too big of a problem), it is truly a magical day. I began to realize that although the emphasis is placed on the love one has for their significant other (thus spawning Single Awareness Day or SAD)....it is far more meaningful. The love on this holiday does not end with one's significant other but stretches out to one's family, friends, coworkers, countrymen, etc...until it is a love that encompasses the entirety of the world like the Blob sort of.
It is a day where one can put aside their fear, their hatred, their greed (unless they really, really love money I guess) and express their love for humanity. Sure there is evil out there, but sometimes one must embrace those around them and be joyful for simply being alive.
So there is my stance on all things related to Valentine's Day. Sure it can be cheesy, but in a world so full of hate and pain....maybe cheesy is what we need.

Ello Everyone!

So, top of the evening (or morning pending when one reads this)!
I am Damien and have begun this blog to put my thoughts into the concrete. I find that in order for one to have some resemblance of order, one must actually know one's own mind...something that I do not profess to be capable of doing at this point in my life. This of course is not a bad thing as it has led me here to the internet.
As a lover of film, music, literature, and people most postings made by myself will center around these topics; however, do not be surprised to find random musings (on life or on events). Well, I do hope those who actually read this forgive the typos (I am no Nabakov) and enjoy the random bits of random that may from this endeavor. So, with all this said I believe it is time to move onto my first true post.

Oh Note: I will randomly reference films or musical lyrics....just to give fair warning.