How does one begin to dissect and discuss a film that is of the comedic level of Blazing Saddles? To be quite honest, there is no real prescribed method to perform this task (made all the more difficult by films in this genre in particular), I will simply describe what makes this film so perfect: its complete and total lack of care towards film conventions (this will be a common theme on this list).
Of course, this is nothing new for Mel Brooks and his plethora of comic masterpieces (Young Frankenstein, The Producers, The History of World Part I, etc...); however, it is this film where his brand of irreverent and playful humor is perfected. Brooks's utter disregard towards film dogma (such as racism, sex, and violence) and signature wit make this film rather endearing....even in an age where comedies are plentiful (many of which never matching the sheer genius of this film).
Also, to only lay accolade on Brooks would be a grave error, as much acclaim should be poured onto the entire cast of the film. From the always brilliant Gene Wilder, as the washed up Waco Kid (or Jim as he is called), to Cleavon Little, as Sheriff Bart, the ensemble connects in such a way that make the humor displayed on screen all the better. This can be seen in everything from Mongo's face upon receiving his telegram to Lili Von Shtupp's somewhat glazed over and exhausted appearance in her song 'I'm so Tired."
Lastly, how could anyone fault a film with an ending that is so ridiculous that it actually outmatches the insanity found throughout the film?
1 comment:
Haha..very good film. Gene Wilder is awesome in this! I can at least say that now, since I've actually been able to watch the whole thing. Good little analysis Damien.
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